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Redesignable
Wengé, leather and glass coffee table in the manner of Percival Lafer 1970s
Wengé, leather and glass coffee table in the manner of Percival Lafer 1970s
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ウェンゲ材のフレームに美しく彫刻されたコーヒーテーブル。スモークガラスのトップとレザーのプラークマガジンホルダーが付いています。パーシバル・ラーファーのものと誤って扱われることがよくありますが、このテーブルは明らかにパーシバル・ラーファーのデザインからインスピレーションを得ています。特に、各外側の端に丸い棒によってフレームに取り付けられた革製のプレートを使用する場合。ただし、一般的なブラジリアン デザイン、または特に Lafer のデザインとは対照的に、フレームはブラジリアン ローズウッドではなくウェンゲ ウッドで構成されています。オランダ、ベルギー、ドイツでよく使われていた木材です。また、ウェンジウッドはそのパターンから確かにブラジリアンローズウッドといくつかの類似点があります。このテーブルの正確な出所は不明ですが、このテーブルが非常にエキゾチックな外観をしており、おそらく 70 年代に作られたものであることは明らかです。オリジナルの Lafer 製品の多くが 1970 年から 1985 年の間にドイツ (ハンブルク) の正規輸入代理店を通じてヨーロッパに流通したことから、このテーブルが実際にパーシバル ラーファーによってデザインされた可能性があります。おそらく、このデザインはヨーロッパ市場向けにドイツの輸入業者から特別に委託され、おそらく現地で生産されている可能性があります（これは、ブラジリアンローズウッドの代わりにウェンゲウッドを使用していることを説明するでしょう）。コーヒーテーブルは、片面のガラストップにいくつかのかすかな傷があり、レザーにいくつかの軽い汚れがありますが、良好なヴィンテージ状態です。
Original Text
Beautifully sculpted coffee table in wengé wood frame with smoked glass top and leather plaque magazine holder.
Often misattributed to Percival Lafer, the table has clearly been inspired by the designs of Percival Lafer. In particular with the use of the leather plaque affixed to the frame by round sticks on each outer end.
However, in contrast to general Brazilian design, or the design of Lafer specifically, the frame doesn’t consist of Brazilian rosewood but of wengé wood. A wood that was often used in the Netherlands, Belgium and Germany. Also, the wengé wood certainly has some similarities with Brazilian rosewood due to its pattern.
The exact provenance of this table is unknown, but it’s clear that the table bears a strong exotic look, and was likely constructed in the 70s.
There is a possibility that the table was indeed designed by Percival Lafer, as many of the original Lafer products found their way to Europe between 1970 and 1985 through an official importer in Germany (Hamburg). It’s possible that the design has been commissioned specifically by the German importer for the European market, perhaps with a local production (this would explain the use of wengé wood instead of Brazilian rosewood).
The coffee table is in good vintage condition with some faint scratches on the glass top on one side, and some light stains on the leather.
Original Text
Beautifully sculpted coffee table in wengé wood frame with smoked glass top and leather plaque magazine holder.
Often misattributed to Percival Lafer, the table has clearly been inspired by the designs of Percival Lafer. In particular with the use of the leather plaque affixed to the frame by round sticks on each outer end.
However, in contrast to general Brazilian design, or the design of Lafer specifically, the frame doesn’t consist of Brazilian rosewood but of wengé wood. A wood that was often used in the Netherlands, Belgium and Germany. Also, the wengé wood certainly has some similarities with Brazilian rosewood due to its pattern.
The exact provenance of this table is unknown, but it’s clear that the table bears a strong exotic look, and was likely constructed in the 70s.
There is a possibility that the table was indeed designed by Percival Lafer, as many of the original Lafer products found their way to Europe between 1970 and 1985 through an official importer in Germany (Hamburg). It’s possible that the design has been commissioned specifically by the German importer for the European market, perhaps with a local production (this would explain the use of wengé wood instead of Brazilian rosewood).
The coffee table is in good vintage condition with some faint scratches on the glass top on one side, and some light stains on the leather.
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